This month it is 25 years
ago that Apple presented the Hypercard program at MacWorld Expo in Boston. On
August 11, 1987 Danny Goodman wrote: It is not a database, but an informational
browsing tool. But the magazine Der Spiegel concluded after 25 years with the
present knowledge, that Apple almost had invented the web, but missed it
because of two mistakes.
The Hypercard program was
the first software program, which linked text, image and sound to each other.
At once there were links, searching in full text and interaction. This does not
sound exciting in our days, but the browser with the HyperText Make-up Language
(HTML) still had to be developed by Tim Berners-Lee in 1990.
That the Hypercard program was unique was clear from the start. The concepts of Hypertext and Hypermedia were floating around in the academic world and in multimedia production. Ted Nelson formulated those concepts in 1963, having attempted to build a computer network and simple user interface in 1960. Apple, however, considered the Hypercard program as a closed, offline database. The software developers still missed the split between data storage and data representation and consequently the turn to web software. As Apple asked $ 400 for the production software, the program did not get a wide circulation.
Pearls of hypertext production beauties were manufactured by the Voyager Company in Los Angeles. In 1989 this production company published de CD Companion to Beethoven’s Ninth Symphony. This recording of the Wiener Philharmonic got an interactive analysis thanks to Hypertext by the scientists Robert Winter. Users were able to follow bar by bar from the score. Besides users could look up information on the life and works of the composer Beethoven. More than 130.000 copies were sold of the CD-ROM. The quality of the production was so good that Peter Bogdanoff, programmer and designer of this CD-ROM, is still convinced that the immediate, interactive music/audio experience is impossible to achieve on the web.
That the Hypercard program was unique was clear from the start. The concepts of Hypertext and Hypermedia were floating around in the academic world and in multimedia production. Ted Nelson formulated those concepts in 1963, having attempted to build a computer network and simple user interface in 1960. Apple, however, considered the Hypercard program as a closed, offline database. The software developers still missed the split between data storage and data representation and consequently the turn to web software. As Apple asked $ 400 for the production software, the program did not get a wide circulation.
However HyperText did get a uniquely creative stimulus. In combination with the recently launched information carrier CD- ROM HyperText was considered to be a new publication medium. A stream of content products started to show with as first product Whole Earth Catalog, a production containing 2500 articles, 4000 photographs, 2000 text fragments and 500 sounds fragments including birds’ sounds. The brothers Rand and Robyn Miller published the adventurous productions of The Manhole en Cosmic Osmo. In the game Myst
videos in the Quicktime format were incorporated for the first time.
HyperText
appeared to be a unique solution for the German pastor Hanns-Johann Ehlen for
the use in the Matthäus Evangelium. Since
1984 this priest was busy to digitise
and analyse this text. By 1989 the first Hypercard Bible in the German language
was ready. But the Hypercard
was soon to be succeeded by the World Wide Web, as became clear when the Library
of Congress moved its Hypertext presentation of the collection American Memory to the web.
Pearls of hypertext production beauties were manufactured by the Voyager Company in Los Angeles. In 1989 this production company published de CD Companion to Beethoven’s Ninth Symphony. This recording of the Wiener Philharmonic got an interactive analysis thanks to Hypertext by the scientists Robert Winter. Users were able to follow bar by bar from the score. Besides users could look up information on the life and works of the composer Beethoven. More than 130.000 copies were sold of the CD-ROM. The quality of the production was so good that Peter Bogdanoff, programmer and designer of this CD-ROM, is still convinced that the immediate, interactive music/audio experience is impossible to achieve on the web.
(© Jak Boumans Collection)
The Beethoven CD-ROM did not just pop up. In 1984 Bob Stein his wife Aleen Stein bought the rights to two classic movies Citizen Kane en King Kong for $ 10.000 en started a multimedia production company. They started publishing the movies under the Criterion Collection label; later on, they focussed with the imprint Voyager Company on the possibilities of HyperCard for education.
But they went further in October 1991, when
they started introducing the first Expanded Books, which were priced at $19.95 each:
Alice in Wonderland with annotations
of Martin Gardner, the classic Hitchhiker’s
Guide to the Galaxy by Douglas Adams and Michael Crichton’s Jurassic Park. In the Expanded Books it
was easy to navigate, search and annotate. With dog’s ears a page could be
marked for revisiting and fragments could be highlighted.The Beethoven CD-ROM did not just pop up. In 1984 Bob Stein his wife Aleen Stein bought the rights to two classic movies Citizen Kane en King Kong for $ 10.000 en started a multimedia production company. They started publishing the movies under the Criterion Collection label; later on, they focussed with the imprint Voyager Company on the possibilities of HyperCard for education.
No less than 70 Expanded Book titles were
published. Real top hits were A Hard
Day’s Night, of which 100.000 copies were sold, Marvin Minsky’s Society of Minds (see photograph) and Who built America? As well as Oscar
Wilde’s The Picture of Dorian Gray. However
in 1995 the Voyager adventure was over as well as the marriage of the Steins. In
2004 Apple removed the features about HyperText en Hypercard from the website.
HyperCard had lost; the web browser had won.
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