Wednesday, June 1, 2022 from 19 - 21 hours in DDAMA (Dutch Digital Art Museum Almere) opening of two new exhibitions that are related to the theme of the Floriade: The algorithmic beauty of plants and Glitched Lovescapes. In the Euro-tower (now Rabo) next to Almere CS, Landdrostdreef 124, 2nd floor, 1314 SK Almere (The Netherlands).
DDAMA has been around for more than five years and is like a young, ever-blossoming plant that has to survive without the care of the municipal parks department. Perhaps it is because of the rarity, the exotic, the newness, there are only a few in the world, that this young striking flower does not yet get the attention it deserves. We, Dutch, cling to our traditional tulips and daffodils or get palms and cacti from afar and have little eye for a spontaneously generated local new variety. Unknown makes unloved.
In the exhibition with the theme The algorithmic beauty of plants local artist Jan Coenen is represented with three works with the subject "growth" and with the theme of the Floriade, "growing green cities", in mind. Two of these works are projections of digital algorithms and the third is a combination of a watercolor of 4.5 by 1.5 meters with a video based on an algorithm. When visiting the Floriade at Almere do come and visit DDAMA.
Growth is change. Growth is becoming, not being
People, flowers, plants, forests, cities and museums grow.
The artworks on display depict the laws of growth. One can see how simple mathematical formulas underlie the growth of plants, of nature, but also of cities. These mathematical models (fractals), like growth in nature, have the property of repeating endlessly within limits without being the same.
After centuries of development, during which man has freed himself from the whims and dangers of nature, there is now a growing realization that we are part of nature, that we should not spoil nature, that we should not continue to look on from a distance, but that we should merge back into it. The works are also about looking, about perceiving nature and art, about distance and involvement.
© 2022, Jan Coenen